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Students will achieve the following objectives:
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As a reading intervention strategy, discuss examples of illusion versus reality as a class. Then divide the class into small groups and have each group find an example from the novel that shows how Emma lives in a world of illusion. Each group should find two quotations—one showing Emma's illusion and a second that reflects the reality of Emma's world. |
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You can evaluate your students on the in-class discussion of illusion versus reality and the completion of their activity sheets using the following three-point rubric:
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Madame Bovary at the Ball Remind students that one of Madame Bovary's happiest moments occurs when she attends a grand ball. Ask students to research what an elegant event such as the ball was like in the 1850s. Encourage students to research the dress, manners, food, music, and dances of that period. They may create a multimedia presentation, an illustrated report, or a Web site. Whichever form they choose, challenge students to include details from the period, such as recorded music, samples of the food that was served, or pictures of the formal dress. Allow time for students to present their documentaries to the class. Exploring Irony Irony is a literary device characterized by a deliberate contrast between what is expected to happen to a character and the actual outcome. Flaubert's use of irony contributes to the character development of Madame Bovary and other characters in the novel, and it also adds a bitter twist to the novel's tragic ending. Ask students to reread Emma Bovary's death scene and find one quotation that is an example of irony. Have students explain what is happening in the passage they have chosen and why they consider it to be an example of irony. Students should share their examples in a class discussion and consider what insights these little ironies give us into the characters. For example, a student may choose the following quote from Emma's death scene. It is from book 3, chapter 8, where Emma first begins to feel the effects of the poison she has taken, while Charles is at her bedside: "God!" she cried. "It's horrible!" He flung himself on his knees beside her bed. "Speak to me! What did you eat? Answer, for heaven's sake!" And in his eyes she read a love such as she had never known.The passage is ironic because Emma, and perhaps the reader, had not realized that her husband was capable of such feeling. Emma has spent the novel searching for love, only to realize on her deathbed that her husband, for all his faults, always loved her. |
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Women in 19th Century America Fiona Macdonald. Peter Bedrick Books, 1999. Society's ideal view of women in the United States during the 19th century was often very different from reality. This book examines what everyday life was really like for many women. Period illustrations and photographs, quotes from women of the time, and brief biographies of famous women of the century enrich the book. Searching for Emma: Gustave Flaubert and Madame Bovary. Dacia Maraini. The University of Chicago Press, 1998. Written in an engaging, almost conversational tone, this book is nevertheless a serious examination of the relationship between the author Flaubert, the women in his life, and Emma, the main character he creates in Madame Bovary. Throughout the book, Maraini interweaves insights about the character Flaubert created with discussions of the author's life and his attitude toward women. |
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IPL Online Library The site offers a few links to literary criticism about MADAME BOVARY and biographical information about the author. Madame Bovary This is an AP literature class created site which includes interesting material about the author, the French world reflected in the novel, and the controversy and trial surrounding the novel. It is extremely accessible to students, and appears to be well edited and well researched. Britannica.com-Flaubert This main Flaubert page provides a link to a discussion of the novel and articles about MADAME BOVARY pertinent to this lesson, such as characters, setting, and literary realism. |
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Click on any of the vocabulary words below to hear them pronounced and used in a sentence.
Context: Charles Bovary only found out about his wife's adultery when he discovered Emma's love letters.
Context: Emma Bovary was not satisfied to be a member of the bourgeois class but instead would have preferred to be a member of the aristocracy.
Context: Emma's duplicitous nature was never more evident than when she lied about taking music lessons.
Context: Charles Bovary always thought Emma was faithful to him; he was never aware of his wife's infidelity.
Context: Flaubert's novel Madame Bovary is a classic example of romanticism in literature. |
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This lesson plan may be used to address the academic standards listed below. These standards are drawn from Content Knowledge: A Compendium of Standards and Benchmarks for K-12 Education: 2nd Edition and have been provided courtesy of theMid-continent Research for Education and Learningin Aurora, Colorado. Grade level: 9-12 Subject area: Literature Standard: Uses reading skills and strategies to understand and interpret a variety of literary texts. Benchmarks: Analyzes the simple and complex actions (e.g., internal/external conflicts) between main and subordinate characters in literary works containing complex character structures. Grade level: 9-12 Subject area: Literature Standard: Uses reading skills and strategies to understand and interpret a variety of literary texts. Benchmarks: Understands relationships between literature and its historical period, culture, and society (e.g., influence of historical context on form, style, and point of view; influence of literature on political events; social influences on an author's description of characters, plot, and setting; how writers represent and reveal their cultures and traditions). Grade level: 9-12 Subject area: Literature Standard: Uses reading skills and strategies to understand and interpret a variety of literary texts. Benchmarks: Uses language and perspectives of literary criticism to evaluate literary works (e.g., evaluates aesthetic qualities of style, such as diction, tone, theme, mood; identifies ambiguities, subtleties, and incongruities in the text; compares reviews of literature, film, and performances with own response). |
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Audrey Carangelo, freelance curriculum developer. |
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